Find a job 
Featured Companies 
Featured Universities 
For Companies At a Glance
- Tasks: Create immersive soundscapes for game cinematics and trailers in a collaborative studio environment.
- Company: Join Arrival, part of Streamland Media Group, known for elite creative talent and cutting-edge technology.
- Benefits: Enjoy a permanent, full-time role with opportunities for professional growth in a dynamic setting.
- Why this job: Be a key player in shaping audio experiences for some of the most ambitious titles in gaming.
- Qualifications: Proven experience in linear sound design and advanced skills in Avid Pro Tools required.
- Other info: Work in a dedicated 7.1.4 studio in Soho, contributing to award-winning projects.
The predicted salary is between 45000 - 60000 £ per year.
Arrival is proud to be an Equal Opportunities Employer.
As part of the Streamland Media Group, Arrival is home to elite creative talent, cutting edge technology and world‑class management, that provides end to end audio content for global developers and publishers on every screen and platform. Our workflow is collaborative and generates results that are celebrated across the industry. From sound design, cinematic mix, music, voice over and engine integration and implementation - we offer personalised solutions for projects of every size and scope. Our employees represent a culture of ambition and innovation.
Our team of award‑winning sound designers and supervisors deliver custom sound design, sound engineering, sound editing, Foley, linear, runtime mixing, field recording and sound integration to get projects to the next level. With one of the largest proprietary sound libraries in the world, we excel in weapon design, vehicles, magic systems, ambiances and much more for cinematic and gameplay.
Arrival is looking for an experienced Senior Sound Designer to join our team in our Soho studio. This role is focused primarily on linear sound design and post production for game cinematics, trailers and narrative sequences, supporting some of the most ambitious titles in the games industry. Working closely with our Creative Director, this role will act as a key creative partner in the cinematic pipeline, taking sequences from spotting and editorial through to a strong pre‑mix stage within our 7.1.4 Dolby Atmos mix environment. The ideal candidate is a highly skilled Pro Tools editor and cinematic sound designer, comfortable managing complex sessions, conforming evolving picture edits and crafting detailed sound design that supports storytelling and performance. This is a full‑time, studio‑based position in Soho working in your own dedicated 7.1.4 studio. The role is predominantly focused on linear sound design, though experience with interactive game audio pipelines is beneficial.
Responsibilities
- Design and edit high-quality cinematic sound for game cutscenes, narrative sequences and trailers
- Work extensively in Avid Pro Tools, managing complex editorial sessions and evolving picture versions
- Perform sound-to-picture editorial, conforming and versioning within cinematic pipelines
- Take sequences from spotting through editorial and sound design to a strong pre‑mix stage
- Prepare and deliver pre‑mixes that are ready for final mix and review, maintaining clarity and balance across large sessions
- Work within multi-channel formats including 7.1, 7.1.4 Dolby Atmos and other delivery formats
- Execute foley spotting, editorial and integration to support character performance and narrative
- Manage complex session organization, signal flow and routing in large Pro Tools projects
- Collaborate closely with cinematic teams, editors, narrative designers and production
- Act as a key creative partner and right hand to the Creative Director on cinematic audio sequences
- Deliver mixes suitable for both in-game cinematics and external media such as trailers
- Support gameplay sound design and implementation when required
Requirements
- A demo reel showcasing relevant cinematic or linear sound design work is required. Applications without a demo reel will not be considered.
- Significant experience in linear sound design and post production
- Advanced expertise in Avid Pro Tools, including editorial workflows, conforming, routing and mix preparation
- Strong understanding of multi-channel mixing, including 7.1, 7.1.4 Dolby Atmos and cinematic formats
- Proven experience designing and conforming sound to picture
- Strong editorial judgement including foley spotting, dialogue support and sound design pacing
- Excellent understanding of signal flow, routing and session management in complex Pro Tools environments
- Experience preparing sequences to a high-quality pre‑mix stage within large multi-track sessions
- Experience recording and creating original sound sources including field and studio recording
- Experience working on AAA game cinematics, trailers or narrative-driven content
- Game audio credits on at least one shipped title preferred
- Familiarity with Wwise or FMOD is beneficial but not essential
- Must be able to work full-time on-site in our Soho studio (this is not a hybrid role).
Senior Sound Designer, Arrival - London employer: Streamland Media
Contact Detail:
Streamland Media Recruiting Team
StudySmarter Expert Advice 🤫
We think this is how you could land Senior Sound Designer, Arrival - London
✨Tip Number 1
Network like a pro! Reach out to fellow sound designers, join industry groups, and attend events. You never know who might have the inside scoop on job openings or can put in a good word for you.
✨Tip Number 2
Show off your skills with a killer demo reel! Make sure it highlights your best work in cinematic sound design. Tailor it to showcase projects similar to what Arrival does, so they can see you're a perfect fit.
✨Tip Number 3
Prepare for interviews by brushing up on your knowledge of Avid Pro Tools and multi-channel mixing. Be ready to discuss your past projects and how you tackled challenges in sound design – they’ll want to see your problem-solving skills!
✨Tip Number 4
Apply through our website! It’s the best way to ensure your application gets seen. Plus, it shows you’re genuinely interested in joining the Arrival team and working in that amazing Soho studio.
We think you need these skills to ace Senior Sound Designer, Arrival - London
Some tips for your application 🫡
Showcase Your Skills: Make sure to include a demo reel that highlights your best cinematic sound design work. This is crucial, as applications without a demo reel won't even be considered. We want to hear what you can do!
Tailor Your Application: When applying, tailor your CV and cover letter to reflect the specific skills and experiences mentioned in the job description. Highlight your expertise in Avid Pro Tools and any relevant projects you've worked on. We love seeing how you fit into our creative culture!
Be Clear and Concise: Keep your application clear and to the point. Use bullet points for your experience and skills to make it easy for us to see why you're the right fit. Remember, we appreciate clarity just as much as creativity!
Apply Through Our Website: We encourage you to apply directly through our website. It’s the best way to ensure your application gets to the right people. Plus, it shows us you’re serious about joining our team at Arrival!
How to prepare for a job interview at Streamland Media
✨Showcase Your Sound Design Skills
Make sure to bring along your demo reel that highlights your best cinematic sound design work. This is your chance to impress them with your creativity and technical skills, so choose pieces that showcase your ability to craft detailed soundscapes and support storytelling.
✨Know Your Tools Inside Out
Since the role requires advanced expertise in Avid Pro Tools, brush up on your knowledge of its editorial workflows and multi-channel mixing capabilities. Be prepared to discuss specific projects where you managed complex sessions and how you tackled challenges in the editing process.
✨Understand Their Workflow
Familiarise yourself with Arrival's collaborative workflow and their focus on cinematic audio sequences. Think about how your experience aligns with their needs, especially in terms of working closely with creative teams and managing sound-to-picture editorial.
✨Prepare for Technical Questions
Expect questions about your experience with different audio formats, particularly 7.1 and 7.1.4 Dolby Atmos. Be ready to explain your approach to preparing pre-mixes and how you ensure clarity and balance in large sessions. This will show that you’re not just a creative mind but also technically savvy.