At a Glance
- Tasks: Maintain and optimise cinema post-production technology for top-notch film delivery.
- Company: Join MPS, a global leader in theatrical content distribution.
- Benefits: Enjoy 25 days annual leave, cinema perks, and hybrid working options.
- Other info: Collaborative environment with opportunities for professional growth.
- Why this job: Be part of an innovative team that elevates the cinema experience.
- Qualifications: Degree or equivalent experience in technical fields; 2 years in post-production preferred.
The predicted salary is between 40000 - 50000 £ per year.
Drive Global Film Delivery. Elevate The Cinema Experience. Join MPS as a Post-Production Engineer and maintain, optimise and evolve MPS’s cinema postproduction and review room technology. The role is responsible for ensuring that all vision and sound systems used for mastering, quality control and client review meet the highest technical and operational standards expected of an elite postproduction facility.
You’ll contribute to system design, installation, validation, fault resolution and continuous improvement of postproduction technology, while also supporting the education of colleagues and the evolution of best practice across the business.
What You’ll Do
- This position owns the technical integrity of cinema review rooms, including projection, audio, video routing and associated mastering workflows.
- Maintain and uphold reference-grade vision and sound standards across all cinema review rooms, ensuring consistency, accuracy and reliability.
- Install, configure and commission postproduction and review room technology, including projection systems, monitoring, audio systems and associated infrastructure.
- Perform colour calibration of cinema projectors and broadcast-grade video monitors to industry standards.
- Carry out multi-channel audio calibration for cinema and review environments, ensuring accurate monitoring and compliance with required specifications.
- Design, manage and fault-find SDI-based video routing systems and AES-based audio monitoring paths.
- Support and validate mastering software platforms used across the facility, including Clipster, Transkoder and DaVinci Resolve.
- Install, configure and support broadcast-level equipment, diagnosing and resolving complex hardware and signal-path issues.
- Support TCP/IP-based systems within postproduction environments, including basic network fault finding and integration with audio-over-IP technologies.
- Contribute to the maintenance and development of documentation, standards and engineering procedures.
- Work collaboratively with postproduction, operations and technical teams in a fast-paced, high-pressure production environment.
- Assist in evaluating new technologies, tools and workflows to support future technical and operational requirements.
What You’ll Bring
- Educated to degree level in a relevant technical discipline or equivalent practical experience (desirable).
- Minimum of 2 years’ experience working within a high-end or elite postproduction, broadcast, or cinema technology environment.
- Proven experience calibrating cinema projectors and broadcast reference monitors.
- Proven experience calibrating multi-channel audio playback systems.
- Hands-on experience installing, configuring and fault-finding broadcast or cinema-grade equipment.
- Working knowledge of electrical safety within technical environments.
- Experience with mastering and postproduction software such as Clipster, Transkoder, and/or DaVinci Resolve (desirable).
- Familiarity with audio mastering workflows using Avid Pro Tools (audio-focused, not Media Composer) (desirable).
- Exposure to Adobe Creative Cloud applications within a postproduction context (desirable).
Why MPS?
Be part of a global leader in theatrical content distribution. We’re innovative, collaborative, and passionate about delivering the best possible experience to cinemas and audiences worldwide. As a Post-Production Engineer, you'll be a key representative of MPS, embodying our values and delivering excellence every step of the way.
Here's what sets you apart:
- Brand Ambassador: You represent MPS with professionalism, warmth, and purpose—bringing a human touch to everything you do.
- Exceptional Communicator: Clear, confident, and articulate across written and verbal channels.
- Customer-Centric: You go the extra mile to deliver outstanding service, with a meticulous eye for detail.
- Organised Multitasker: You thrive in fast-paced environments, managing multiple priorities with precision.
- Time-Smart: You know how to prioritise and deliver on time—every time.
- Adaptable & Calm Under Pressure: You stay cool, flexible, and focused when things shift or escalate.
- Solution-Oriented: Quick to spot issues and quicker to resolve them with practical, thoughtful solutions.
- Strong Interpersonal Skills: You build trust with clients, partners, and teams, and you’re a great listener.
- Discreet & Reliable: Trusted with confidential information and always act with integrity.
- Tech-Savvy: Proficient with modern office tools and systems, including Microsoft Office Suite—especially advanced Excel.
- Industry Knowledge: Deep understanding of electronic content delivery and hard drive replication within the theatrical distribution space.
- Detail-Driven: You care about accuracy—nothing slips through the cracks.
- Culturally Aware: You bring inclusivity and empathy to your global interactions.
- Positive & Proactive: A team player who’s motivated to make a meaningful impact.
- Strong Communication Skills: Able to convey technical and operational information clearly to both technical and non-technical audiences.
Qualifications/Experience
- Strong understanding of colour science, including XYZ colour space and High Dynamic Range (HDR) principles.
- Solid knowledge of HD-SDI signal standards, routing and infrastructure.
- Strong understanding of AES audio routing and multi-channel monitoring environments.
- Knowledge of Dante and other TCP/IP-based audio transport technologies.
- Ability to install and support software platforms across both Windows, Linux and macOS environments.
- Understanding of Digital Cinema Package (DCP) structure and workflows (desirable).
- Familiarity with DKDM creation, delivery and key management concepts (desirable).
- Strong analytical and troubleshooting skills across complex technical signal chains.
Benefits
- Access to EOT(Employee Ownership Trust) tax-free bonus.
- 25 days' Annual Leave.
- Enhanced Parental Leave.
- Enhanced Sick Leave.
- Retention recognition - extra perks at key milestones: from increased employer pension to private medical care.
- Birthday or work anniversary day off on us.
- Cinema perks, including access to premieres and special screenings.
- Rental Housing Deposit Support.
- Access to hybrid and remote working arrangements.
- Volunteering Day off.
Post-Production Engineer in London employer: MPS - Motion Picture Solutions
Contact Detail:
MPS - Motion Picture Solutions Recruiting Team
StudySmarter Expert Advice 🤫
We think this is how you could land Post-Production Engineer in London
✨Tip Number 1
Network like a pro! Get out there and connect with industry folks on LinkedIn or at events. You never know who might have the inside scoop on job openings or can put in a good word for you.
✨Tip Number 2
Show off your skills! Create a portfolio showcasing your post-production projects, including any calibration work you've done. This will give potential employers a taste of what you can bring to the table.
✨Tip Number 3
Prepare for interviews by brushing up on your technical knowledge. Be ready to discuss your experience with cinema projectors, audio systems, and mastering software like DaVinci Resolve. Confidence is key!
✨Tip Number 4
Apply through our website! It’s the best way to ensure your application gets seen. Plus, it shows you're genuinely interested in joining our team at MPS and contributing to the cinema experience.
We think you need these skills to ace Post-Production Engineer in London
Some tips for your application 🫡
Show Off Your Skills: Make sure to highlight your technical expertise in post-production and cinema technology. We want to see your experience with calibration, installation, and fault-finding, so don’t hold back on those details!
Tailor Your Application: Customise your application to reflect the specific requirements of the Post-Production Engineer role. Use keywords from the job description to demonstrate that you understand what we’re looking for and how you fit the bill.
Be Clear and Concise: When writing your application, keep it clear and to the point. We appreciate well-structured responses that get straight to the heart of your experience and skills—no fluff, just the good stuff!
Apply Through Our Website: Don’t forget to submit your application through our website! It’s the best way for us to receive your details and ensures you’re considered for this exciting opportunity at MPS.
How to prepare for a job interview at MPS - Motion Picture Solutions
✨Know Your Tech Inside Out
Make sure you’re well-versed in the specific technologies mentioned in the job description, like Clipster, Transkoder, and DaVinci Resolve. Brush up on your calibration skills for cinema projectors and multi-channel audio systems, as these will likely come up during technical discussions.
✨Showcase Your Problem-Solving Skills
Prepare to discuss past experiences where you’ve resolved complex technical issues. Think of specific examples that highlight your analytical skills and ability to troubleshoot under pressure, as this role demands quick thinking and practical solutions.
✨Communicate Clearly and Confidently
Since the role requires exceptional communication skills, practice articulating your thoughts clearly. Be ready to explain technical concepts in a way that’s easy to understand, especially if you’re talking to non-technical team members or clients.
✨Demonstrate Your Team Spirit
This position involves collaboration with various teams, so be prepared to share examples of how you’ve worked effectively in a team environment. Highlight your interpersonal skills and how you build trust and rapport with colleagues and clients alike.